Screenshots of it complimenting the Floor and other assets of the set.
It's all essentially very bright. But It's marble, and the film itself is also set during the Night-Time period, so essentially in the Night-Time renders, we will get tonally and visually A great balance, between appealing and visually accessible, and also setting the mood. Seen as the lighting plays an integral part in this set, it was important to make the canvas as blank as we could so that yes, if we need to make changes, they would be very easy to make, and also make nothing too distracting, so that the painted elements of the textures would hold their own, yet simultaneously compliment both the modelling that Alice has created, and the Lighting assets that Mikey is creating, so that we get this really nice sense of unification between the dual roles, to create something that looks unique in it's own way. Mikey now at this stage has the completed set and his working his assets onto it.
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