Production: 'Thick as Thieves' Animated short.
Below is a list of crew members on this film and what a list of the work that they should produce whist participating in this production.
Below is a list of crew members on this film and what a list of the work that they should produce whist participating in this production.
Ben Hudson -
Pre-Production -
Research on Artistic referencing of the 1950’s era: Painters, Cinematography,
Graphic Design and films.
Story Material
Screenplay
Storyboard
Animatic
Visual Development/Art-Style
Initial Character Design development (excluding final Character Turnaround - This will be produced by Harley Earl)
Production -
Assisting Character Modelling & Rigging
Animation
Post-Production -
Compositing/Additional colour correction & additional After Effects finessing & Tinkering.
Final Editing
Title/Credit Sequences
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Harley Earl -
Pre-Production -
1) Research on Artistic referencing of the 1950’s era: Painters, Cinematography,
Graphic Design and films.
2) Story Material
3) Additional Storyboard material
4) Additional Animatic material
5) Subsidiary character designing
6) Final Character Turn-Around sheet
7) Character Model & Rig Tests
8) Additional Thumbnails & Composition concepts
Production -
Character Modelling & Rigging
Animation
Post-Production -
Compositing/Additional colour correction & additional After Effects finessing & Tinkering.
Final Editing
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Michael McFadyen -
Pre-Production -
Research on Artistic referencing of the 1950’s era: Painters, Cinematography,
Graphic Design and films.
Lighting thumbnails/Colour theory and development research on Cinematic
Mood/Pacing & Timing, and how Lighting & Cinematography all helps to enhance
the story - working from Visual development, floor Plans produced by Ben Hudson,
should develop a thorough understanding to the story, and the visual environments
in which they take place.
Mood/Pacing & Timing, and how Lighting & Cinematography all helps to enhance
the story - working from Visual development, floor Plans produced by Ben Hudson,
should develop a thorough understanding to the story, and the visual environments
in which they take place.
Creative consultant on colour/colour script for Mood in setting.
Production -
Lighting
Shading
Assisting in Cinematography - Camera
Post Production -
Compositing - Render Passes, Post-Production fog & additional effects to correct
lighting/colour correction/composition.
Rendering - Render farm technician
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Alice Street -
Pre-Production -
Research on Artistic referencing of the 1950’s era: Painters, Cinematography
Graphic Design and films.
Modelling Blue prints based upon visual development sheets
Production - Modelling
Post Production - Assisting as a generalist
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Bo Lee -
Pre-Production -
Research on Artistic referencing of the 1950’s era: Painters, Cinematography,
Graphic Design and films.
Developing and working closely with Alice Street on modelling Blue prints based upon
visual development sheets.
Subsidary Storyboarding
Developing a thorough understanding of the project at hand whilst also working on
other projects and developing her own modelling skill set and a show reel not associated
with this film.
Production - Modelling
Post Production - Assisting as a generalist
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Zoe Cheale -
Pre-Production -
Research on Artistic referencing of the 1950’s era: Painters, Cinematography,
Graphic Design and films.
Additional modelling - Bank Vault Door, Fire Hydrant, Dynamite prop, Circular bomb prop,
Nuclear bomb prop, and a Cadillac 1959 Sedan. ALL based upon designs completed in Pre-Production
by Ben Hudson, except the Cadillac which is based upon Blue prints provided by theblueprints.com and
existing reference on the internet.
NO POST-PRODUCTION
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James Stevenson -
Musical Score
Pre-Production -
Working from our Animatic to produce some rough mix tapes.
James has full access to all Blog posts to fully understand the artistic integrity of the film.
Weekly meetings either in person or via. Video call with Animation production crew to generate ideas
Production -
Producing final score
This will lead into Post-Production
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Sam Munson -
Sound Effects
Foley sounds
Pre-Production -
Working from our Animatic to produce some rough mix tapes.
Sam has full access to all Blog posts to fully understand the artistic integrity of the film.
Weekly meetings either in person or via. Video call with Animation production crew to generate ideas
Production -
Producing final sound effects
This will lead into Post-Production
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Patrick Collins - 2nd year assistance
Pre-Production - N/A
Production - Additional Animation
Post-Production - N/A
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Term 1 Production Planning
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